In This issue #7 we highlight 4 artists and some significant works

Queens of the Stone age
“. …Like Clockwork is the sixth studio album released on June 3, 2013, on Matador Records in the UK. …Like Clockwork has received critical acclaim. Stephen Thomas Erlewine of AllMusic commented that “…Like Clockwork’ is unusually focused for a Queens of the Stone Age record, containing all of the group’s hallmarks — namely volume and crunch, but also a tantalizing sense of danger, finding seduction within the darkness.” Self-produced by the band, it is the first Queens of the Stone Age album to feature full contributions from bassist Michael Shuman and keyboardist and guitarist Dean Fertita, who had joined the touring band in 2007. The album sees a return of Dave Grohl to the drums for half of the album and there are other guest appearances by rock heavyweights such as Trent Reznor, Elton John, alex Turner and Jake Shears.
john Scofield
One of his more famous releases is the album “A Go Go” a landmark jazz-funk album, with Sco’s soloing and melodic sensibilities making an instant impression. Released on April 7, 1998, through Verve Records. It is notable as his first collaboration with the avant-garde jazz trio Medeski Martin & Wood (MMW one of the hottest young electric-jazz combos on the planet (both in popularity and skill)). The album is characterized by its deep, hypnotic grooves, blending jazz-funk, fusion, and contemporary jazz. The quartet gets funky on “Chank” and the organ-drenched “Hottentot” and nods to Scofield’s fusion roots on album highlight “Jeep on 35.” It brings together the edginess of jazz and the approachable, broader appeal of R&B. All 10 tracks on the album were composed by John Scofield.

Charles-Camille Saint-Saëns

Cello Concerto No. 1 in A Minor, Op. 33 Composed in 1872, this is one of the most frequently performed and popular works in the cello repertoire. Unique for its time, it is written as a single continuous movement containing three distinct sections. Noted for its melodic elegance, a second-movement minuet, and a “gloriously playful” style. It typically lasts about 20 minutes. Cello Concerto No. 2 in D minor, op. 119 Composed in 1902, this concerto is much less familiar to audiences and far more technically challenging. It has a two-movement form that is both original and cogent, featuring a distinctive cyclic structure that links the movements. Written for the Dutch cellist Joseph Hollman. Saint-Saëns himself admitted it would never be as popular as the first because of its “fiendishly technical” difficulty, including huge leaps and extensive double-stopping.

Piano Concerto No. 2 in G minor, Op. 22, composed in 1868, is his most popular and frequently performed piano concerto. It is famous for its unique structural progression, famously described by pianist Zygmunt Stojowski as beginning “with Bach and ending with Offenbach”. The work is notable for deviating from the standard concerto form by starting with a slow movement and increasing in speed. Africa,Op. 89, is a concertante fantasia for piano and orchestra composed in 1891. Written during his travels in Egypt following his mother’s death, the work is a signature piece that blends North African musical traditions with European virtuosity.
The “Wedding Cake” Caprice-Valse, Op. 76, is a light-hearted work for piano and strings composed in 1885. it is characterized by its brilliant, cascading piano figures that evoke the image of falling confetti.
LCD Soundsystem
American Dream received critical acclaim from contemporary music critics. It was announced on January 5, 2016, the day after it was revealed that the band was reuniting after a disbandment lasting nearly five years. Released on September 1, 2017, by DFA and Columbia, it was the band’s first album in seven years. The album performed well commercially and became the band’s first number one album in the United States. At the 60th Annual Grammy Awards, the album was nominated for Best Alternative Music Album and “Tonite” won the Grammy Award for Best Dance Recording. The album’s lyrics deal with depression, social issues, fear, and ending of friendship and love. Ryan Dombal of Pitchfork marked the album as “Best New Music”, said “The rebirth of LCD Soundsystem is marked by an extraordinary album obsessed with endings: of friendships, of love, of heroes, of a certain type of geeky fandom, and of the American dream itself”. Jordan Bassett of NME wrote: “The band retains the uncanny power to encapsulate a place and time. This is a cautious return, not a triumphant one – and that proves LCD Soundsystem are very 2017”


Classical Album
Charles-Camille Saint-Saëns

Jazz Album
john Scofield





